Suzy Q Groden begins the book with a short story of
how she recued two birds that were stuck in a catwalk between two buildings at
the university where she teaches. It was
a powerful metaphor of the struggle new writing students go through finding
their place amongst an academic discourse community and how composition teachers
have to guide them in learning what the authors refer to as a new language. Eleanor
Kutz, Suzy Groden and Vivian Zamel explain how all teachers must contribute to
helping their students, but a majority of the responsibility falls on
composition teachers. With their book the authors have taken an action research
approach with the aim to help students recognize that they bring a certain
amount of competence from their outside lives into their new discourse
community. The three teachers explain
that teaching is an ongoing learning process and that composition teachers need
to adapt to their changing classrooms as well as question traditional curriculum
that does not address diverse student’s needs.
Kutz, Groden and Zamel find that theories of
cognitive and intellectual development are not as useful for them because they
are faced with students with many different backgrounds that will not fit neatly
into such molds. The authors hope they can create an environment where the
students can realize their potential and develop as writers. Like Bartholomae
and Petrosky’s they argue that students need to be immersed in an academic
community to then become a part of it. I also
see similarities in their theory that the academic discourse community speaks
an academic language that new writers must acquire. The authors even compare the process to that of 1st
language acquisition. They look at
students writing in new ways thinking of the possibilities of their writers rather
than focusing on errors.
I feel like I can really relate to what the authors
are proposing and I think it complements Bartholomae and Petrosky’s model. I see both cognitive and socio-cultral
elements in this teaching theory. I like
how it addresses ESL and other diverse members of the student population. I truly believe in immersing students in the
academic discourse community so they can be a part of it and I want to build my
unit plan with this in mind. I also
agree with the authors that academia has its own language that needs to be
acquired by the novice writer. The only
thing I found missing in this book so far was the practical way to accomplish these
goals. I would have liked to see more of
a unit plan showing future composition teachers how to use this model. Perhaps I will find that by reading the
remaining chapters. The past two weeks
reads inspire me that we can possibly create composition unit plans that will
address the needs of the current diverse student population and help them acquire
the language of academia
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